Monday, 29 October 2012

The Faces (BBC live sessions 1972)

This will take you back to a time when Rod  Stewart was good..

The Faces with Ronnie Lane were really the best.

I know drum solos can be boring , are a thing of the seventies, but this one is good, bloody good.

There is not a bad thing about this  track.
This is MY era, MY TIME.and this track  transports  me..

I hope you can enjoy it as much  as me.

Sunday, 14 October 2012

Jarvis Cocker discusses , “The John Lennon Letters.”

In the Saturday Guardian yesterday, (13th October), Jarvis Cocker reviewed the new tome about one of the Beatles, John Lennon. Hunter Davies, who wrote the first Beatles biography, has collated many of John Lennon’s letters for  this book. The letters are dated from 1951 to 1980.
It has been produced to commemorate fifty years since the Beatles hit the world stage.  Fifty years!!! I can’t believe it.
The John Lennon Letters: Herausgegeben von Hunter Davies
"The John Lennon Letters."

Jarvis Cocker comes up with some very creative phrases.

 “We are the children of the echo. Born just after some kind of explosion, and doomed to spend the rest of our lives working backwards to try and get as close as we can to the moment of The Big Bang.”

Does he mean born after the dropping of the first atomic bomb or does he really mean the bang that began the universe?  I presume the birth of the Beatles is some sort of Big Bang in the world of creativity and music. Jarvis is a little vague on his precise meaning in this statement. However I can see his point about working backwards. We have come so far in this world with trivia, useless pursuits, greed, consumerism and ego mania we need desperately to put the genie back in the bottle and get back  to a more frugal, purposeful and purer life. Well, maybe that is what he means. The Beatles as some sort of purer reality?  Well I’m not sure. Maybe he means the purity of their music? The innocent honest lyrics and so on. Or maybe the world they came from wasn’t as tarnished as the world now? The second world war had only finished so maybe not that. Oh  well, I’m sure he knows what he means.
  Jarvis is hoping to find an answer to the question,

 “ Just how did those four lads come to “shake  the world”?

He  hopes the letters of John Lennon will help.
However what he finds   in this book are short notes such  as; (they are so short  I even have time to transcribe one or two here.)

“Degs, no fucking George,  Yer Cunt, Jack” ( letter 238: memo to Derek.)

And even better;

“Fred, lights in kitchen(bulbs),
Honey  candy,Kitchen aircon is “On heat” (something wrong),Cabbage,Grape oil, (ask where),Onions,Peas (the Korean shop shells them),Sesame oil,
Tomatoes, berries, yoghurt, hamburger meat (for the cat), (letter 255: Domestic list for Fred.)

Mind blowing! I am sure you agree.

According to Jarvis Cocker what Hunter Davies appears to have done is contact anybody and everybody who has ever bought a piece of John Lennon memorabilia at auction. These are not the treasured kept letters of family and friends. These are valuable scraps of writing because they have  been auctioned and are worth money. They are little investments in bits of John Lennon. Their inanity is not the point. Lennon touched these pieces of paper and scrawled things on them. 

A John Lennon letter, a little more substantial than his ,"post it notes."

They  are artefacts. Jarvis Cocker tells us that next to each transcription is a photograph of the original piece. The photographs of the artefacts are more important than the content transcribed next to them.  Jarvis Cocker may be exaggerating to make a point here. I am sure there must be some insightful, letters amongst the items in this book. Actually, my local Tescos has some copies for sale. I am not going to buy the book but I might spend a little while trawling through it for free as I do my weekly shop for apples and oranges, pasta, milk, butter and bread. I’m sounding like John Lennon now. He would approve no doubt. Nobody is going to tell me off!!!!!!
Towards the end of the article Jarvis makes a comment which really lit up my  thinking.

“… the  whole point of the Beatles is that they were ordinary. Four working class boys from Liverpool who not only showed that not only could they create art that stood comparison with that produced by the establishment- they could create art that pissed all over it……the  greatest creative force of  the 20th century.”

Again this is an over exaggeration. “The greatest creative force of the 20th century,” I don’t think so but a great creative force all the same. But the comment, " they were ordinary," got me thinking. Just recently myself and some friends were in Liverpool for a school reunion. We all got together at The Monro Pub in Liverpool’s docklands in the evening for a meal and few drinks. During the day, before the evening festivities began, some of us decided to take a Beatles tour. We booked the National Trusts Beatles tour which enabled us to visit John Lennon’s childhood home in Menlove Avenue ,Woolton and also Paul McCartney’s childhood home at Forthlin Road.

Me and some mates outside 251, Menlove Avenue, where John Lennon lived with his Aunty Mimi

I agree with Jarvis Cocker's point that the Beatles were ordinary. John Lennon’s home was a semi detached house in a middle class road. It was his Aunty Mimi’s and Uncle George’s house. They looked after him because his mother Julia wasn't cable of doing so. Anyway she had divorced his dad, Alfred, who was a merchant seaman and never at home. Julia had a new family to bring up. So John was the typical, unfortunately more so these days, damaged child from a broken disrupted home. His Aunty Mimi moved heaven and earth to try and stabilise his life for him. She had ambitions for John.  Music was a sort of rebellion for him and something he could retreat into.

Paul McCartney on the other hand lived in a typical terraced council house on a council estate. He came from a very stable background. His father was a working class docker in Liverpool docks and his mother Mary was a nurse. They were a stable family. Paul enjoyed his music and wrote songs because he loved to do so. He tried out his songs on his family. His father collected records so Paul had music to listen to as well.

Paul Mc Cartneys childhood home  at 20, Forthlin Road, Liverpool

In visiting their houses it brought back a lot of memories from my childhood. My family, like Paul McCartney’s family, started in council property but in Southampton. After the war when my dad returned from Burma he got a clerical job on board the transatlantic liners, The Queen Mary and the Queen Elizabeth, as a pursers assistant. When he met my mum he decided to get a job ashore as a clerk in the accounts department of a seed company in Southampton. They had little money and so lived in council accommodation. But my dad had ambitions. He studied hard for his accountancy exams and became a qualified accountant. Eventually my mum and dad bought their own house. They had ambitions, for myself and my two brothers too. Just as John’s Aunty Mimi had ambitions for John. My parents made sure we had a good education. How many people now really and truly value and understand the importance of a good education? We attended, first of all Charlton, a junior school and then the secondary school, St Mary’s College, Bitterne Park, in Southampton  both run by the Christian Teaching Brothers, (the ,”de la Mennais Brothers,”) a religious teaching order from Brittany . The point is, from a lowly start in life my family had ambitions and we progressed.

 In the 1950’s and early 1960’s council estates were full of people on the bottom rung of society and many of them worked hard and they had ambitions to progress in life. One friend of mine who lived in a council house too is now a professor at Belfast University, another is a managing director of a company, many are teachers, or became solicitors. Often people on housing estates, because they had mundane blue collar jobs, poured all their imaginations and creativity into hobbies. I’ve known judo experts, enthusiastic boxers, gymnasts, ballroom dancers, musicians who played at weddings and at local pubs, model makers, go cart enthusiasts, mechanics building their own kit cars,pigeon fanciers, whippet owners who raced their dogs and many many who  grew their  own  vegetables on council allotments and the list of activities goes on. Housing estates used to be bursting with creative people. Paul McCartney is a prime example, perhaps also George Harrison too. Ringo Starr was a local drummer who inadvertently tacked along. Nowadays I am not so sure people on council housing estates have this same drive and purpose to their lives. For a  start  much council property has been sold off.

The Jarvis Cocker article:

Tuesday, 9 October 2012


"I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England’s green & pleasant Land."

The final verse  of, “And did those feet in Ancient Time,” also known as the hymn ,”Jerusalem,” England's unofficial national anthem. It was first published as part of the preface to,” Milton,” by William Blake in 1804

In the late 1950’s very few people had cars. They were beyond the income of the majority. People relied on buses, coaches and trains to  get around the country. When I was about seven years old,  the  Hants & Dorset  bus company had a small booking office situated on the corner of Portsmouth Road and Victoria Road in Woolston.  Woolston was the part of Southampton where myself and my family lived, next to the Itchen River. I was always fascinated by a large colourful poster displayed in the window of the booking office. It advertised, “Mystery Coach Tours.” The tours promised a drive through a picturesque part of the Hampshire countryside. You would pay for your ticket a day or two in advance, arrive at the coach office at a given time, board the coach and be taken on a mystery trip in one of the distinctive Hants & Dorset dark  green single decker buses. Nobody knew where they were going.  However, those people who had been on one of these trips would return and tell neighbours and friends and in turn they would tell others. The mystery trips that left from the coach office in Woolston always travelled along the beautiful valley of the Meon River, north east of Southampton and situated to the east of Winchester.

West Meon High Street in the heart of Hampshire.

Over the last forty years I have lived in Wimbledon, South London and my parents, in their old age have continued to live in Woolston, Southampton. I always enjoy driving down to Southampton along the rural route by way of Guildford, Farnham, Alton and along the Meon Valley. I drive through the village of West Meon that is situated on the A32 road. It is a very beautiful part of Hampshire, rolling chalk downland, lush green fields, thick clumps of woodland interspersed with small villages of rose and wisteria clad thatched cottages and clay tiled roofed houses, walls of flint and, locally made russet red bricks. Cars are required to slow to 30 miles per hour or less as you drive through West Meon. So I always get a chance to look and take in the beautiful gardens and rustic buildings. Sometimes I stop and park the car. It is a wonderful experience to just walk around the village.  West Meon surrounds you with old buildings, stone walls and thick shrubbery. There are modern houses but they are hidden within groves of trees off  the main road and out of site but the old is most obvious and prominent in the village. The village hall commemorates Queen Victoria's Jubilee. Cottages cluster together and stretch around the curving serpentine high street winding downhill towards the valley bottom and the River Meon that slips like pure liquid silver and as clear  as glass over it’s pebbled bottom through and on past the village.

 The stone cross at the centre of the village.

In Kelly’s Directory of 1878 it is described thus;
“WEST MEON, a parish and a large village, pleasantly situated on the banks of the small river Aire, or Meon, 8 miles W of Petersfield and N.E. of Bishop’s Waltham, in Droxford union and county court district and Meon Stoke hundred, had about 931 inhabitants in 1871 and comprises 3774 acres of generally light and fertile land, rising in bold undulations and including WOODLANDS hamlet, two miles north of the village, and several scattered farms.”

Nowadays West Meon has shrunk slightly in population to 690 inhabitants. It was possibly mentioned in Anglo Saxon documents. A few miles away at Corhampton there is a very rare example of a complete Saxon church that is dated 1020. The Normans didn’t leave many Saxon buildings untouched. They preferred to eradicate the world of the Saxons, ruthlessly. There is evidence of early Stone Age activity going back 50.000 years in the vicinity. Old Winchester Hill, nearby, a good defence point to protect against attack from neighbouring tribes, has evidence of flint tools 20,000 years old. The village of West Meon itself has remains dated to the Iron Age and bronze ages when people had progressed from the hunter gatherer period to create settlements and  become farmers. There is also evidence that the Meonwara tribe lived here.  There are the remains of a Roman Villa in Lippen Wood. 

A West Meon thatched cottage.

The manor of West Meon was listed in the Domesday Book as being owned by the Bishop of Winchester. The Domesday Book was instigated by William I (The Conqueror) .The first draft was completed in 1086 and contained records of 13,418 settlements.  William wanted to know what exactly was in his kingdom and what it was worth. This enabled the Normans to assess the taxes they could exact and  what wealth they could derive. The book was written in Winchester. Data was gathered from all over England. William’s officials scoured every corner of Britain. They recorded  landholders and their tenants, the amount of land they owned, how many people occupied the land (villagers, smallholders, free men, slaves), the amounts of woodland, meadow, animals, fish and ploughs on the land and buildings such as churches, castles, mills and salt houses.

If your internet breaks down you can still phone home.

A charter in 1205 showed that the land was granted to the prior and Convent of St Swithun. St Swithun was important to Winchester because he was the local patron saint who pilgrims came to pray to in the great cathedral.It remained in the hands of the convent until  the dissolution of the monasteries. In 1541 it was granted to the dean  and chapter of  Winchester Cathedral.In 1544 Henry VIII granted it to  Thomas Wriothesley Earl of  Southampotn. Thomas Wriothesley is most famous because of his friendship with Shakespeare. There are suggestions that Shakespeare visited and stayed on the earls estates at Titchfield in the Meon Valley and wrote some of his sonnets in honour of the Earl.

During The English  Civil war  West Meon was the sight of several  skirmishes before The Battle of Cheriton, which took place about six miles  from West Meon to the north  west, which was  fought on  29th March 1644.
Some famous people, who lived and died in West Meon, are Thomas Lord (1755-1832) the founder of Lords cricket ground in St Johns Wood, North London. Also there is the grave of the infamous Guy Burgess. Guy Burgess (16 April 1911 – 30 August 1963) was a British radio producer, intelligence officer and Foreign Office official. He was part of the Cambridge Five spy ring that passed Western secrets to the Soviets before and during the Cold War.

St John the Evangelist, West Meon.

The fine flint built church in the centre of the village, St John the Evangelist, was designed by Gilbert Scott and was built in 1846 on the site of the ancient church. In an extraordinary twist, the design was taken to New York where an exact replica was built as the church of St Thomas, Mamaroneck.

West Meon is situated in a beautiful valley in the South Downs about 66 miles south of London, 15 miles  east of Winchester and 25miles north of Southampton. The South Downs is a range of chalk hills that extends for about 260 square miles across the south-eastern coastal counties of England from the Itchen Valley of Hampshire in the west to Beachy Head, near Eastbourne, East Sussex, in the east. It is bounded on its northern side by a steep escarpment. The South Downs National Park forms a much larger area than the chalk range of the South Downs and includes large parts of the Weald.

It is characterised by rolling chalk downland with close-cropped turf and dry valleys, and is recognised as one of the most important chalk landscapes in England. It was formed from a thick band of chalk which was deposited during the Cretaceous Period around sixty million years ago within a shallow sea which extended across much of Northwest Europe. The rock is composed of the microscopic skeletons of plankton which lived in the sea. The chalk has many fossils, and bands of flint occur throughout the formation. The Chalk is divided into the Lower, Middle and Upper Chalk, a thin band of cream-coloured nodular chalk known as the Melbourn Rock marking the boundary between the Lower and Middle units.
The strata of south-east England, including the chalk, were gently folded during a phase of the Alpine Orogeny to produce the Weald-Artois Anticline, a dome-like structure with a long east-west axis. Erosion has removed the central part of the dome, leaving the north-facing escarpment of the South Downs along its southern margin with the south-facing chalk escarpment of the North Downs on the northern side.

The River Meon begins its life high on the South Downs as spring water seeping out from the edge of the water table contained within the structure of the chalk downland. Chalk is porous and so absorbs rainwater easily and acts as a great aquifer. It naturally regulates the flow of water into the river systems of the South Downs. Chalk streams transport little suspended material  but are mineral-rich. The surface water of chalk streams is often described as 'gin clear'. The channel bed consists of angular flint gravel  from the natural flint deposits found embedded within the chalk.

The unique characteristics of chalk stream ecology are due to a stable temperature and flow  combined with  transparent  water and lack of sand grade sediment particles. The river stretches for 21 miles flowing through the Meon Valley. The river  supports valuable wildlife habitats. Within the river system it is home to water crowfoot, brown trout, kingfishers and otters. The reed beds at Titchfield create their own unique habitat too.

A thatched cottage in West Meon.

The River Meon is renowned for its fly fishing particularly at The Meon Springs where the river is stocked with brown trout and rainbow trout. Izaak Walton, who wrote The Compleat Angler in the 17th century lived  towards the end of his life, in Winchester. His tomb is in the Silkstead Chapel inside Winchester Cathedral. It is a chapel dedicated to anglers. He went to Droxford, near West Meon, to fish in The River Meon. He said that it was the best river in England for trout.

Izaak Walton born August 9th 1593, died December 15th 1683  fished  in the  River Meon.

In and around West Meon there are watercress beds to be found. Long regular troughs have been dug into the land bordering The River Meon. Through the use of sluice gates to regulate the flow of the water they are  filled with  pure chalk stream water from the  river. At times of the year they are lush with the greenery provided by the water cress floating on the surface of these ponds. The stems of watercress are hollow so this makes the plant buoyant on the surface of the water. The leaves are pinnately compound, which means petals are arranged on either side of a stem and the watercress produces small white flowers in clusters. The Latin name for the watercress is nasturtium officinale,N. microphyllum.

Many of the cottages, garden walls and houses in West Meon, as well as the church ofSt John the  Evangelist,  are  constructed with knapped flint. West Meon’s position in the chalk South Downs is well situated near to a source of good quality flint for building.
Flint is one of three forms of compact crystalline silica which have been used in building. It is found in Chalk geological formations. It is closely related to quartz, chalcedony, chert and jasper. Flint, chert and jasper are important rocks for building, with flint the most common.

A young flint knapper with Box Hill behind him. (The Stonebreaker by John Brett exhibited 1858)

 Its origin is generally  thought to be the siliceous sponges once inhabiting the waters of Cretaceous seas.
Flint and chert are concretions, natural growths of mineral matter which form around a centre or core. Sometimes the core may have been a sea urchin or a sponge. The silica solutions from which flint was created could also have flooded cavities formed by marine borers. The colours of flint are black or dark blue-grey, and they are usually nodular in form, and coated in a white calcium carbonate. The nodules break forming sharp edges. Axes, adzes, spear points and arrowheads were made from flint by Stone Age tribes by hammering and flaking the  flint.Flint knappers were common in the Victorian countryside. There is a Pre-Raphaelite painting of a knapper working on Box Hill in Surrey. West Meon is full of buildings constructed with blue, black, glassy silica flint pieces.

 A  flint  wall in  West Meon churchyard.

Another characteristic of buildings in West Meon are the number of thatched cottages. Many of the cottages have clay roof tiles too which  proved to be a cheaper option but both thatched roofs and clay tiled roofs provide a warm natural effect and fit perfectly side by side within this rural community. A thatched cottage looks warm and cosy like a house topped with a thick head of hair. It’s contours are rounded, and rough textured. Thatched cottages are built with local materials. The houses people live in are the soil and rocks and grasses grown and formed naturally scooped up and skilfully fashioned.  The straw from the wheat fields or the reeds from the marshes become the roofs. People used whatever was available locally. This meant materials as diverse as broom, sedge, sallow, flax, grass, and straw were used. Most common is wheat straw in the south of England, and reeds in East Anglia. Norfolk reed is especially prized by thatchers, although in northern England and Scotland heather was frequently used.  Some of the cottages in West Meon have walls constructed from timber frames formed from large oak or ash branches hewn from the local woods and dragged to the building site. The spaces between the oak beams were filled with wattle and daub, itself a mixture of ash fencing, clay from the ground mixed with  straw to bind it and solidified with cow dung and sealed by lime from the lime quarrys. Some were constructed in bricks from local clays baked in fiery kilns. The very elements were combined and used to form these homes. 

In constructing a thatched roof   first the thatch is tied in bundles, then laid in an under-layer on the roof beams and pegged in place with rods made of hazel or withy. Then an upper layer is laid over the first, and a final reinforcing layer added along the ridge line  It is at the ridge line that the individual thatcher leaves his personal "signature", a decorative feature of some kind that marks the job as his alone. In West Meon a couple of the cottages have straw pheasants standing on the roof ridges. There also seems to be decorative stitching created with twigs along the roof lines. These are individual designs to show the thatcher’s personality and trade mark.

Having visited West Meon many times, it is a diverse and vibrant community. Not only does it have it’s church community with it’s social gatherings, festivals and religious year, there is a village hall for community parties and meetings. There is a junior school for the young children of the village and there are two pubs to socialise and relax in. There are a number of local grocers and  general stores too. It comprises people of all ages and situations  amongst it’s numbers. It appears to  me to  be a happy and lived in place.

The Thomas Lord pub in West Meon.

West Meon Parish Council:

A History of The Meon Valley:

The Thomas Lord public house:

Thatching information: